The core depictions in photography are a traditional Rajasthani musician and the laconic Australiana gent figure of late 19th century North Queensland pioneer. The observation and sound as an epiphenomenon. There is a harshness to such environments requiring a sort of detachement. The hut is situated on the other side as a counterpoint to revere, by token of being a functional sturtural of modernization.
Full view
Angular view one
Ravens wood pioneer
Rajasthan musician
swirls of interconection
Angular two
Angular three
Points of attachment
